Type above and press Enter to search. I actually probably would have felt more comfortable writing a historical, because many of my screenplays are period and required quite a bit of research, and I love finding a character that way, through the research. Why do you write?
Yes, I felt a TON of pressure. How did you become involved with American Girl? So what happens when you have a kid who is truly, legitimately a talented songwriter and artist?
American girl tenney grant doll and logan boy doll two dolls tenny new in box
I still find them fascinating. Writing engages my mind and my heart at the same time, and it forces me to figure out who am I and what I stand for. Facebook Twitter Instagram. But the contemporary books are a bit of a different beast than the historicals.
What comes first, the book or the doll?
As a screenwriter, I wrote for adults as well, but adolescence is something I come back to repeatedly. I was just a bit too much of a teen when I discovered them. What I most love about writing for American Girl is getting to writing stories about girls and boys! As far as American Girl goes, the historical book, aka BeForever, are kind of the meat and potatoes.
But I was a teenager, so of course I was too cool for that. As a mom myself, I really thought about the tension between wanting to support my child in absolutely everything he wants to do, and wanting to protect him from getting hurt, emotionally and otherwise. I have six and eight year old nieces, and I check in with them and their mom quite a bit about what she would allow them to do, particularly in terms of dealing with cell phones,texting, etc.
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I think a lot of kids have interests and dreams like this, and can relate to that journey. As a parent, what do you do if your kid is really good at something that you think could end up hurting them?
And all the Oz books. For the first book, I knew I wanted the song to be something that comes out of her conflict with her mother, who once wanted to be a singer and who had a brief, botched performing career. Shortly thereafter, American Girl offered me Tenney. First, as a form of self-expression. When I was about 15, we got an American Girl catalog in the mail. I secretly wanted to get that doll so much!
How does writing a contemporary novel compare? Then, as I became a teenager, I started questioning my own identity, and who I was and who I wanted to be.
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I basically wrote the book, and temp lyrics for what the song could be. And those are questions are ones I come back to a lot as an adult. How does your experience as a screenwriter and television producer influence your writing? Mostly in my work ethic.
Also, screenwriting forces you to think about how a story is structured, and how to tell a story visually, which I think helps makes my books feel more active. I really wanted to touch on the idea of authenticity — of being true to yourself, to your own sound, to your own voice and to what you want to say in the world. I came to Wisconsin and walked them through my ideas for Tenney as a character, what I wanted to avoid and what I thought her stories should center around.
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I also love knowing that after all my hard work, kids out there are actually going to read these stories and hopefully grow from that experience. Other than that, they completely allowed me to go away and build the character and her family and world and gather together ideas for the plots of the first three books. Also, I write stories in particular to make sense of the world around me, and to make some meaning out of the experiences I have and that I see others having.
I literally jumped up and down for ten minutes after they offered me the job. Submit Type above and press Enter to search. The following is the complete transcript of her interview with Cracking the Cover.
American Girl books, dolls, etc. American Girl decides what they want the girl to love … in this case, that Tenney loved music and played an instrument, probably guitar, and that she was from Nashville. They loved it, which was fantastic. The process was extremely collaborative from the get-go, I think the de team making Tenney and Logan and their collection had much of the same instincts that I had.
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Also, I love middle grade and YA books. I write for a bunch of reasons. They read a script of mine about Elizabeth I as a thirteen year old, and really liked the plotting and dialogue and characters. Part of my original pitch was that in every story, Tenney should be inspired to write a song because of something going on in the plot … because I wanted readers to see that the process of creating and writing a song is really what makes her special.
Is there a book from your own childhood that still resonates with you today?
How did you come to write the Tenney books? Is it a collaboration or did you have specific things American Girl wanted you to touch on? Why specifically for young readers?
What was your first exposure to it? Well, the idea of the doll comes first. If so, how did they inspire you?